On this May Day, John Molloy delivers a searing indictment of capitalism’s broken promises and the “B52 liberals” who abandoned class struggle for the false comforts of the “third way.” From Gaza’s rubble to the oil profiteers of the Iran war, this article argues that the spectre of communism is poised to haunt the “Masters of the Universe” once again if the movement returns to its roots.

Eoin Ó Murchú picks apart the Irish government and media’s manufactured narrative over Islamic extremism and Russian cable sabotage, exposing it for what it is: a deliberate disinformation campaign to strip Ireland of its neutrality and deliver it into the NATO military fold. The primary threat to Ireland’s security continues to be the attempts of the US and its allies to draw the country into the vortex of global conflict.

Belfast’s May Day is more than a march,. it’s over a century of working-class defiance, solidarity, and hope. Kerry Fleck traces its radical roots, from the 1907 Dock Strike to today’s fight against austerity and division. The 2026 Belfast May Day Festival brings music, arts, community, and resistance together across two weeks of events. This is history alive in the streets. Be part of it.

The fairytale-telling ignored papal preoccupation with the war on Iran crippling the global economy, of consequential concern to a church with worldwide financial interests. The Christian church has radical roots. Within 300 years it became the state religion of the empire that executed its founder, devolving into conservative bureaucracies promoting and protecting church interests within states of various political hues.

THE EU presents itself as a champion of press freedom and human rights, but that image is rapidly fraying. It is increasingly deploying its sanctions machinery against journalists and analysts who challenge establishment narratives — often with devastating consequences for their livelihoods, families, and basic civil rights.

THE peat floor of Francis O’Connor’s set still smells of damp earth as the witches hiss their prophecies. This is the world of Druid Theatre Company’s Macbeth, directed by co-founder Garry Hynes – a production that is by turns magnificent, frustrating, and ultimately worth your time.

COMING up to May Day- we will highlight  the state of the world as we go from one crisis to another-and from one war to another. As we experience the naked force of imperialism in different ways-the people in Lebanon, Iran, and Palestine are suffering the full force of the US and Israel’s war machine. In Cuba and other parts of the world the economic effects of capitalism in crisis is bringing raging disruption. Thousands if not millions are protesting against the war and genocide only to be met with hypocrisy and reactionary action. In Britain legislation to restrict protests is being introduced and protesters are being arrested.  It is somewhat ironic that people with vehicles are prepared to come out and protest over the fuel crisis, but they are not willing to direct their anger to the cause of the situation to confront Trump, Israel and those governments who  tacitly support them. Even to shift the protest to the American Embassy in Dublin.

Samuel Beckett’s Waiting for Godot (1948) confronts a world shaped by war, destruction, and the fear of total annihilation. Echoing Bertolt Brecht’s warning that civilisations can vanish without trace, the play imagines what remains after catastrophe. Its stark setting — “a country road, a tree, evening” — reduces existence to a minimum, asking what will be left of humanity after another war.

IN 2002 the United States Secretary of Defence Donald Rumsfeld, reflecting on the failure to find what wasn’t there in the first place, Iraqi “weapons of mass destruction” that posed an imminent threat to the U.S., famously wrestled with the English language and lost.